“I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.” Joan had promised to go down on the Friday; but finding, on the Thursday morning, that it would be difficult, decided to run down that afternoon instead. She thought at first of sending a wire. But in Mrs. Phillips’s state of health, telegrams were perhaps to be avoided. It could make no difference. The front door of the little house was standing half open. She called down the kitchen stairs to the landlady, but received no answer. The woman had probably run out on some short errand. She went up the stairs softly. The bedroom door, she knew, would be open. Mrs. Phillips had a feeling against being “shut off,” as she called it. She meant to tap lightly and walk straight in, as usual. But what she saw through the opening caused her to pause. Mrs. Phillips was sitting up in bed with her box of cosmetics in front of her. She was sensitive of anyone seeing her make-up; and Joan, knowing this, drew back a step. But for some reason, she couldn’t help watching. Mrs. Phillips dipped a brush into one of the compartments and then remained with it in her hand, as if hesitating. Suddenly she stuck out her tongue and passed the brush over it. At least, so it seemed to Joan. It was only a side view of Mrs. Phillips’s face that she was obtaining, and she may have been mistaken. It might have been the lips. The woman gave a little gasp and sat still for a moment. Then, putting away the brush, she closed the box and slipped it under the pillow.!

She felt elated at the thought that he would see her for the first time amid surroundings where she would shine. Folk came forward to meet her with that charming air of protective deference that he had adopted towards her. He might have been some favoured minister of state kissing the hand of a youthful Queen. She glanced down the long studio, ending in its fine window overlooking the park. Some of the most distinguished men in Paris were there, and the immediate stir of admiration that her entrance had created was unmistakable. Even the women turned pleased glances at her; as if willing to recognize in her their representative. A sense of power came to her that made her feel kind to all the world. There was no need for her to be clever: to make any effort to attract. Her presence, her sympathy, her approval seemed to be all that was needed of her. She had the consciousness that by the mere exercise of her will she could sway the thoughts and actions of these men: that sovereignty had been given to her. It reflected itself in her slightly heightened colour, in the increased brilliance of her eyes, in the confident case of all her movements. It added a compelling softness to her voice. The child raised her eyes. There was a dull anger in them. “Oh, what’s the good of pretending,” she said. “He’s so great. He could be the Prime Minister of England if he chose. But then he would have to visit kings and nobles, and receive them at his house, and Mama—” She broke off with a passionate gesture of the small thin hands.

Once, someone who must have known the place and had descended the steps softly, sat there among them and talked with them. Joan could not remember seeing him enter. Perhaps unknowing, she had fallen to sleep for a few minutes. Madame Lelanne was seated by the stove, her great coarse hands upon her knees, her patient, dull, slow-moving eyes fixed upon the speaker’s face. Dubos was half standing, half resting against the table, his arms folded upon his breast. The wounded men had raised themselves upon the straw and were listening. Some leant upon their elbows, some sat with their hands clasped round their knees, and one, with head bent down, remained with his face hidden in his hands. Joan laughed. “I’m a drummer boy,” she answered. “I beat my drum each week in a Sunday newspaper, hoping the lads will follow.” “It was quite good—the matter of it,” Joan told her. “All Roads lead to Calvary. The idea is that there comes a time to all of us when we have to choose. Whether, like your friend Carlyle, we will ‘give up things’ for our faith’s sake. Or go for the carriage and pair.”